art at the OZORA festival

My favorite is the Cat Chapel. Intentionally an essentialist work of art: the wooden chapel decked out with pillows takes after the shape of a cat god: a many-eyed sphynx on which fractals are projected at night (3D projection mapping) – when we cannot see physical reality with our bare eye, then the reality-structuring logic (fractals based on sacred geometry) becomes visible.

The inside of the Cat also breaks down into fractals, but these are more organic – cat fractals individuate from the godhead: cats in the process of individually taking up shapes. There is a heavenly fresco on the ceiling: two cats, one of them sitting on a cloud made of donuts, the other on a cloud of burgers. Why? I think it’s because the cats do what they want. Just because. The heavenly fresco represents a worldview in which existence is not to be understood, only accepted. There are cat representations that have been created by humans from the originally existing and divine cat: Japanese waving cats, cat paintings, ceramic cat figurines. Places where cat representations had been (marked by blue-tac spots), and crystals. I suppose the crystal is a metaphor for the embodied energy expressed along a given structuring logic. So the crystal indicates that the fractal cats of the chapel as well appear as embodied being who individuate energy. The crystals are also there because they are good to be around, they have good energy, or because a chapel needs to hold some treasures.

https://ozorianprophet.eu/art/ozorian-art-an-ozora-2022-art-review/